Center Parking: Ep 236: Digital Photography 1 to 1: Tv Adorama Photography

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AdoramaTV

digital photography presents one by one. In this episode Mark Wallace shows you how to build a key light up in a parking lot. Mark uses foam core panels and light to create shadows and light control. A white background is from the sun illuminates a photograph by Richard Avedon to create style. This can be done with or without the camera flash. Please visit for more videos Photography www.adorama.com! Send your questions to: AskMark@Adorama.com

  1. EpicsodeOne
    EpicsodeOne07-04-2012

    Yes, that’s what the saying goes, because you already have a Speedlite, which can only see each other and shed light on a white wall, try to always work with me. I agree that Speedlites 5 is a lot of money, but my friend some configurations with 7 lights! Edge light, light hair sepparation capture light, etc …. But trus me my bag is not happy I have 5 Nissin Di 622nd

  2. global001
    global00107-04-2012

    Using a light always, but I think if the sun is working against the wall on one side, is possible. I hear what you say about ppl buy a lot of things, can be an endless money pit, but I am saying simply, configuration is more expensive than the brand was demonstrated. 5 Speed ​​Lite installation is the interior of large amounts of money! πŸ™‚

  3. EpicsodeOne
    EpicsodeOne07-04-2012

    And by the way, I shoot indoors in the sub-ambient light and I have two Speedlites diffuse glow on the wall and Speedlites three to illuminate the subject.

  4. EpicsodeOne
    EpicsodeOne07-04-2012

    Dude, you do not need two Speedlites, you only have a diffuser, as they are outdoors in broad daylight, so that everyone would give more light to give a perfect white background, and what you need on the topic is illuminated, even when the same result and want to get serious? Catch the light? You will find that the obligation for these vaccines? He does something about the capture of light? It’s a Speedlite anyway, so what we need is an additional Speedlite. People tend to buy easilyy shit these days.

  5. global001
    global00107-04-2012

    It would take two flashes on both sides equally to balance the light on the wall and it would be a flash on this issue will have to create the light and capture the emerging model. So your theory requires 3 flash units with radio transceiver 3 and a camera channel. Theirs is actually more expensive than the idea of ​​Mark.

  6. global001
    global00107-04-2012

    Seeing this makes me want to live in the U.S., where building materials are cheap and easily accessible! Mark major video, danke.Ich hope all the negative comments here to be surprised. Some people just love to kill inspiration when they see it!

  7. jimvuraot04
    jimvuraot0407-04-2012

    What is the gray card? Please explain .. Thanks

  8. EpicsodeOne
    EpicsodeOne07-04-2012

    Stimulate Speedlites THE WALL, not on the subject, the subject look like he / she is in front of a light box! No need for Photoshop or something.

  9. terenas1986
    terenas198607-04-2012

    ok .. What if .. put on the sppedlight? Shadow? What will you do with them? Photoshop and stuff out of the question ….

  10. jc636r
    jc636r07-04-2012

    Great importance. The B & W are great photos in the final. Can an episode of your B & W Photo setting in LR?

  11. mczun666
    mczun66607-04-2012

    What the hell is this?

  12. branislavpetkovic
    branislavpetkovic07-04-2012

    “The answer my friend Blowin ‘In The Wind” is πŸ™‚

  13. heartdoc25
    heartdoc2507-04-2012

    without diffusing the flash does not have red eyes, because I always do. I use the bounce card or other diffusers, if I am using the camera flash. Maybe I’m spoiled me with lightning and attendees?

  14. terenas1986
    terenas198607-04-2012

    Mark, what was your ISO while shooting? 100 or 200? I guess this was high-speed flash sync because of the low ISO. Thank you. πŸ™‚

  15. MrsOneWattle
    MrsOneWattle07-04-2012

    Why not try Dom Bower “Key High-anywhere” video (which uses flash units and a graffiti wall covered in a smaller space in order to obtain perfect high key images then it is on YouTube, but I lets send a link to it.

  16. ktran11
    ktran1107-04-2012

    easier to rent a truck and only one study on the inside when you have a parkinglot ….

  17. funincluded
    funincluded07-05-2012

    No, actually, no, that’s not lighstand.Aber if you’ve done that 9 times, and have half of the materials for this project!

  18. archedmandible
    archedmandible07-05-2012

    You can keep a length of 2 “x 4” in a pot full of wet concrete. At that time, dried, has a backing of light!

  19. tonyarrj
    tonyarrj07-05-2012

    1/640 “Is it more than x-sync speed of flash for this?

  20. mini696
    mini69607-05-2012

    Given his 13 minutes in a 15-minute video, even before the shot, I think that speaks volumes about the shooting stops beteiligt.Die complication after 30 seconds for the configuration information.

  21. MADJIHAD1942
    MADJIHAD194207-05-2012

    Stop complaining that its too expensive, just use more than the light is not so difficult … You can do this for very cheap, with some wood, nails and panels of white / black …

  22. LuciDreamTv
    LuciDreamTv07-05-2012

    or you could just photoshop ….. IJs

  23. matthewlambphoto
    matthewlambphoto07-05-2012

    Wow. Normally love these videos, but this seems too complicated for easy way to do something. Search Clay Enos. Super simple and clean.

  24. lalaig
    lalaig07-05-2012

    Flash in TTL / iTTL or manual mode?

  25. kelch12
    kelch1207-05-2012

    Yes, the idea is great, but there are a lot of expensive equipment in question. The spectators were like me, a cheap way to get the desired effect of study. Great lesson, but not so practical for most.

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